Showing posts with label doom. Show all posts
Showing posts with label doom. Show all posts

03/06/2026

Stressball.

So the other day, I'm trying again to have Superjoint Ritual click with me and I'm faffing around on Metal Archives, as any self-respecting Metal fan might. Checking out the recording line-up right? Anyway, the guy who drums on the first Superjoint record not only did a stint in EyeHateGod and Hank Williams III but also had his own NOLA sludge band going on. The name is pretty cool too - Stressball. I mean, Madball had already been around by then, but still. There's enough ball in the world to go round right?

I thought the record was pretty solid. A slight Godflesh feel going on too.
Hidden NOLA sludge gem.

1. Dust (02:47)
2. Pressure (01:41)
3. Time of Pain (02:48)
4. Solitude (05:42)
5. Column (03:13)
6. Transgressor (04:20)
7. Unspoken (02:12)
8. Empty Promises (02:56)
9. Overpowering (03:56)
10. Strain (3:40)

DOWNLOAD HERE.

12/04/2025

Earth - Live on KEXP (15-05-23)


Very nice little set - with new songs, so much so I went to the trouble of ripping it and using some Earth merch as some artwork as a bootleg. See em' live next month, excited!























  1. Earth - Scalphunter's Blues (6:36)
  2. Earth - California And Other Impossible Dreams (5:25)
  3. Earth - Misunderstood (variation on a theme by J. Corabi and M. Mars) (3:59)
  4. Earth - The Bees Made Honey In The Lion's Skull (5:23)
  5. Earth - Interview with Cheryl Waters (11:08)

30/09/2023

Orbiter - Hollow World

So in all fairness, I'm a miserable git on this blog - lots of bands send me awesome stuff, but if it isn't destined to be in my favourite records of the year, it pretty much gets swerved. But guess what, I got sent one of my favourite records of the year! I do try to listen to most things I'm sent, especially when it's a genre of interest. The first thing I heard when listening to Orbiter was how much the tone reminded me of one of my other favourite finnish bands, Tombstoned. I like Tombstoned a lot and their 'Searching / Let Go' 7" (if you have one to sell me, e-mail!) is quite genuinely one of my favourite Doom metal releases ever. I literally went immediately to check if they shared members actually.

Whilst there are some definite grunge and alternative rock influences here, as well as other female fronted Doom metal bands, frankly, it's negligent to even mention them. This band is doing something unique and vocalist Carolin Koss has a distinct voice, which still comes with a Albert Witchfinder twang, which makes me love them even more. Lots of half time drum beats which I also just really enjoy. The songs and execution are just great. The production on this thing is perfection, this thing sounds AMAZING.

Bandcamp: https://orbiterconnection.bandcamp.com
Instagram: https://www.instagram.com/orbiterband
Facebook: https://www.facebook.com/orbiterconnection


Now just a little moment for Sabbath acquisitions:

Turn up the night Picture Disc 7" from 1982.
&
Hard Road Purple 7" from 1978.
B-side on this is Symptom of the Universe (!!) and to my knowledge, which involved scouring discogs, this is the first colour vinyl on any Sabbath single. So a nice little collectors piece. 

30/06/2023

Church of Misery - Born Under a Mad Sign (Review)

Cornflower Blue Sparkle vinyl diehard: 200 copies + embroidered (blue trim) patch + A2 poster
and Yellow Sherbet: 200 copies Crash Records Store Exclusive pressing.

M**********r. This is Church of Misery. 

Quickly summarized – this release is for sure their most mature and outright consistent so far. This makes ‘Born Under’ stand out as a Church career highlight and therefore consequently a bit of a classic for any true Doom Metal enthusiast immediately.

Generally, the novelty of being from Japan tends to work for the benefit of most bands in the West. However, Tatsu Mikami’s tunnel vision dedication to serial killers and the heavy sounds of rock 'n' roll has meant that for some reason or another, Church of Misery have remained in the underground realm for decades. This guy is a LIFER. In the year I turned 17 (17 years ago, by coincidence), I bore witness to a Church of Misery show on Halloween Night. Tatsu had his bass low enough it a necessity to reflect the vital, thick low-end groove it produced. On vocals was Hideki Fukasawa, CoM’s longest serving vocalist who came out barefoot and dressed like John Lennon during his bed-in for peace era. Yes, strangers of the internet, I was a pig in shit.

There is a reason why Tatsu indulged himself with a Motorhead homage project with the Exumer frontman, Mem. Like Lemmy he gets it – when you imbue your sound with rock ’n’ roll, it’s just comes harder, groovier, with riff and an urgency only hardcore and thrash comes close to matching. You think this is bullshit? go listen to Elvis’s version of Milkcow Blues Boogie, an acoustic song that has all the urgency of the aforementioned. But despite all this talk of rock’n’roll, don’t misunderstand me, Tatsu continues to stand by his infamous proclamation from the Master of Brutality record. This is Doom, make no qualms about it. You will have plenty of opportunities to headbang.

After the most recent Sonic Flower album, I was hoping, wishin’ the new guitarist who absolutely kills it on that record (Fumiya Hattori) would be the axe-man on this release. Instead, we get something even more special and echoing another great additional to the Doom Metal canon, Place of Skulls ‘With Vision’ album, when Wino joined original Pentagram guitarist Victor Griffin’s project. Tatsu here teams up with fellow Japanese Doom Metal lifer Yukito Okazaki of Eternal Elysium.

The sound continues in the traditional vein of Church of Misery. Sludgey, doomy, rock ’n’ roll boogie centred around serial killers. But the execution this time around is just more confident and self-assured. The band are on top form and somehow, it’s manifested even its presentation. We get a Blue Note inspired cover and an album title that clearly plays on Albert King’s legendary ‘Born Under a Bad Sign’ record. The songs are maybe the best overall since Second Coming. Across the album you’ll find Sabbathian plods, bluesy licks and absurdly heavy grooves. My biggest complaint is the album ends somewhat abruptly.

For the purposes of this review, I’ve gone back and spent time with all studio album releases to more realistically determine where this sits for me in their catalogue. I believe that some particular songs off ‘Houses of the Unholy’ (Born to Raise Hell/Badlands) and Thy Kingdom Scum (Brother Bishop) undeniably trump any single song on this album. However, this album is so consistently strong, it really doesn’t matter and whilst ‘Master of Brutality’ and ‘The Second Coming’ remain canon this record can stand up as arguably their best since 2004.

Arigato for the all the grooves, riffs and whiplash Mr Tatsu.

06/04/2023

Recent acquisitions.

 

Just a first Brazilian pressing of Sepultura's Schizophrenia album (with typo!)
and some special Ratos de Porao bits.


A first press Sabby, near mint with poster and swirl inner.
I've protected box/sleeve with DC Deflector and can definitely recommend.
Beyond grateful this found it's way to me. Thank you.

with it? Night Crawler, the underground metal comic by daggersintoflesh.


08/03/2023

Spirit Caravan - Live in London (01/12/2000)

This is actually an official bootleg purchased directly from the band in CD-r format.
I've just upped the ante with some more effort in the presentation. Decent little set!


    1. Spirit Caravan - Black Flower (5:18)
    2. Spirit Caravan - Healing Tongue (2:29)
    3. Spirit Caravan - Courage (4:04)
    4. Spirit Caravan - Retroman, Part 1 (2:22)
    5. Spirit Caravan - Retroman, Part 2 (3:25)
    6. Spirit Caravan - Cosmic Artifact (6:00)
    7. Spirit Caravan - Dreamwheel (6:05)
    8. Spirit Caravan - Elusive Truth (4:41)
    9. Spirit Caravan - Powertime (3:34)
    10. Spirit Caravan - Streetside (The Obsessed) (3:28)

11/10/2022

Sky Pig - It Thrives in Darkness

Considering how many Sludge Doom bands there are, I often find myself coming across wholly competent acts that don't quite capture my imagination. Here, Sky Pig captured me with that heavy mid-range phatness. Neat record to stumble on for sure.

I also like the artwork too? Photoshop but not lame like happens so often. 

10/07/2022

Desertfest 2022 - London Edition.

After a long 7 year hiatus and the covid gap - the longest period of time without going to see some live music since I started the habit. The stacked line up decided that it was time for Desertfest London 2022. Below are just thoughts, observations with some pictures from the festival. I’d just relocated and was sleeping in a less than full size single bed so I took it easy with my young manz sciatica.

29/04/22 - "Desertfest London"
Spirit Adrift w/ Seven Sisters, 1000 Mods, Lowrider

So I happen to catch Lowrider’s return since the last time they played Desertfest. I’m very fond of Ode to Io and the performance is fine, but little more than this. But it got me grooving and they played the best song of the new album, which is important. 1000 Mods? Well, we all know about the Super Van Vacation album and well, they didn’t play enough songs from that record. But nevermind. I sound like I’m moaning, but you know… it’s just the reality, you can’t go see the Melvins and expect Houdini in full! I caught a little bit of Seven Sisters whilst ensuring early arrival for Spirit Adrift. Sounded good, lots of leads and speed/NWOBHM stomps.

Now… the main event, SPIRIT ADRIFT.

This was I believe their first UK tour and why oh why they weren’t put on the main stage is beyond me. Heavy, melodic, catchy and still rock’n’roll. This was likely my entire fest highlight and best believe I was up the damn front. Their sound has evolved over the records, but just imagine a traditional heavy metal sound, sometimes leaning on 80’s Ozzy with those really warm Scorpions style leads. I often wonder, who will be the new headline acts of the future? These guys have got the opportunity for sure. After the ruckus of the set ended (two members crowd surfing after all the music stopped!) I bonded briefly with a German geezer, “this is the real thing!! This is the real thing!!!!!”. Too right mate. I went outside and purchased all available vinyl, hehehe. Their latest EP single in particular just deserves to be on high frequency repeat on classic rock radio everywhere. 

30/04/22 - "Desertfest London"
Orange Goblin w/ Greenleaf, Elder

So this was the most underwhelming day of the festival for me. The lack of bands I saw is mostly due to the fact that I fell asleep in the afternoon and woke up late. Clearly rest was required. I love Elder and really wish they would aggressively poise themselves to crossover out of the underground. Nick DiSalvo has the talent and the world deserves to hear this guy work on music full time, no doubt in my mind. My comments above about Lowrider’s performance being fine also applies to Elder really. That means I found Elder’s performance to be adequate but not poised for grand venues just yet. With Greenleaf, I just went in to kill some time and why did they kick my ass! Really good vibes. Funniest thing is listening to Greenleaf on studio record again, it still didn’t move me. But live the same songs really came to life - so fair play. Orange Goblin are stalwarts of the London scene and did their thing, I would have had quite a different set list but the local crowd enjoyed it all. Wasn’t too keen on the corny talk between songs but I know my younger self would feel differently after all.

01/05/22 - "Desertfest London"
Bongzilla w/ Yob, Eyehategod, Trouble Cover Band, Parish

Parish play a nicely proto-Doom sound with a nice little theme and I enjoyed. Same for the Eric Wagner tribute that played after (hello Rev Al!). Eyehategod? I thought the setlist selection was so-so, lots of new ones and a few classics that got me moving. They arrived late, Mike was pissed off, the crowd was pissed off and the sound wasn’t quite right in my opinion. You could feel the tension in the air though. By the end, the antagonists had played their part. 

Yob were extraordinary. For such an esoteric sound they filled the Roundhouse sonically. It just felt really powerful. They actually played songs from my least favourite Yob record and despite this, I was really impacted by the connection they managed to create. I thought the performance as well as the ‘sound’ were just much more sophisticated then what Elder managed - which is why I called their performance fine, whilst Yob’s managed to be majestic, almost transcendental. A tour de force in its execution. Next time they play anywhere near me I’ll be making efforts to go catch em. Thank you Yob. Namaste.

Bongzilla where headlining a smaller stage. Both Yob and Bongzilla where some of the initial bands I had fallen in love with almost two decades ago. The Illusion of Motion and Gateway are important albums for me. Slowly over the years the incredible skill and drum work of Bongzilla’s Magma grew and grew on me. So to catch them both for the first time ever was one of the main reasons I attended this year.

Bongzilla’s set was just awesome. The drumming live was much more central than on the studio records in terms of performance. Fills for days. The kid who had dressed up like the Sleep druid was around and we got some horsehead moshing. The atmosphere was great and the thick warm fuzzy tone comforted me as I… headbanged and whatever to the music. 

All in all, my favourite Desertfest of the bunch actually.
Don’t think I’ll attend 2023, but… let’s bloody see right?

ps. 10/05/21 - Tool w/ Brass Against

My pal offered me a free ticket for Tool and 02 (once the infamous Millennium Dome). Not being a dumbo I instantly took him up on this offer! Having found '10k Days' to be songs not good enough to be on Lateralus, I really really enjoyed Fear Inoculum and it came out of the blue for me, like this god damn ticket. I had always been on the position, fuck spending £80 on a Tool show but, consider me god damn converted. Sober as shit, the sensory overload was real. Elite performance, elite show. This is exactly where I want to see Elder heading (have to go there a 3rd time), cause Nick DiSalvo got it homie.


25/04/2021

Purification - 1455

This kicks so much arse, total Reverend Bizarre stomp and it kills. 

Quite easily one of the freshest Doom Metal bands in what feels a long time. The Cromwell theme works well and the music has a real interesting and purposeful sloppy feel to it. 

19/03/2021

Meth Drinker - Discography

I don't post here very often at all. But this one was easy and instant for me to put forward to you. Possibly some of the best sludge ever produced in my humble opinion. The self titled was on heavy rotation back when it came out in 2014... and here it is for free and remastered (ridiculous). 

Even more ridiculous, the 2nd album is also free: Meth Drinker - Oil.
Perfect soundtrack for the continuing shite of 2021.

20/09/2020

Steinsopp - Steinsopp

It's taken me so long to get around to posting this band that they've gone ahead and released a follow-up record before I got to posting about their self titled. I've always been a Dead Meadow fan who really got hooked in because of how they played with the inspiration of Led Zeppelin's No Quarter for a vibe and sound? Well imagine this same kind of thing but built around a more drugged out, hard rock format and you have Steinsopp. 

Also bad ass painted artwork is always a winner?
Who ain't sick of photoshop?

28/05/2020

Spelljammer - Inches From the Sun

It would be pretty absurd if even during Corona lockdown I didn't get round to posting. But I will get my excuse in early as I have been working thorough out - which I consider none other than a blessing by the way.

Whilst browsing around checking for bands I'd liked and whether or not they had a new release, I noticed that some bands were hosting their earlier endeavours for free. This happens to be one of those records. If you want some sort of seal of approval about just how good this record is, I'll keep it simple: RidingEasy Records pressed it on vinyl, for the first time, seven years after it was first released! If that isn't a sufficient endorsement for you, well, what can I say.

Their sound falls into the old "stoner doom" adage. The riffs are unmistakably heavy and really do fall into the doom category. The weird thing about Spelljammer is they're kinda Kyuss, kinda Electric Wizard but definitely neither? And simultaneously the "weird" thing about it is, their sound isn't anything unorthodox, just straight forward well executed stoner doom. Either way, this ultimately under plays the quality of the release. Listen to it for yourself!

03/09/2019

Lost Breed (Wino Edition!) - Thrift Store Girl

Even having not posted anything for over a year, almost every day I get new bands sending me stuff. Honestly, thank you guys. I actually need to persist with this blog, I always say it and ultimately disappoint myself. When I had the Facebook page up I had people from all other the world hit 'like' - Death Metal kids from Malaysia, German dudes who ran a Bicycle store together, Indian guys, literally people from every continent on our little planet. Everyone bought together by a shared passion for heavy tunes and the staunch desire to download some free shit! Hell yeah!!!

I've been a fan of Lost Breed for a little while now and I do think the two records on the old classic label Hellhound (now sadly defunct) are seriously great. It also came as no surprise to me that prior to their release the legend that is Wino used to be a member. Recently he's involved once again with them and what better way to revive the blog then to showcase one of the genre's lifers doing what he does best?

29/11/2016

Snowchild.

This one is so hot off the presses at the time of writing one of the songs still has a digital glitch on the bandcamp, which is fair enough, it was only released two days ago! So this is a a band from the Land of Oz (I'm talking Kansas dudes...). Anyway, unlike Zodiac who had a series of tunes or whatever behind them to fuel my continued interest (they actually are from the land of Oz), Snowchild had originally uploaded a few demo tracks, or maybe even just one single demo track up on Bandcamp. I can't even re-call but it was at least a year ago now. 

So the first thing that struck me about Snowchild was the vocals that sounded so much like that Vol. 4 Ozzy that I was already pretty softened up.. but I also noticed some definite quality in the musicianship and composition. But holy fuck, these guys have put out a unbelievably mature and explorative Doom Metal record. The use of synths are incredibly well deployed and won't leave you feeling like you're listening to what to some now sounds like dated cheese - I am of course speaking in reference to "Who are you?" off Sabotage. The drumming is very tasteful, actual fills and some style behind the kit going on. The guitar has a displays an impressive level of subtlety and variety too. No mention about the bass because I've just noticed I've spun this twice over without it turned up on my speakers.... idiot. 

Four songs clocking in at 40 minutes. Held my attention on repeated listens.. would not at all be surprised to see this ultimately re-released on Svart or StB or some shit like that. This deserves the turntable treatment, no doubt.

16/08/2015

Stonehelm.

You know how every single band that does the Electric Wizard thing, does the slow big riff bit of Electric Wizard? Well one band actually thought.. fuck this, and instead did an entire album of 'Barbarian' type songs instead. My only complaint about this record is the drums (you'll know what I mean when you hear it) and even then I just overlook it, which - trust me, isn't usually the case. The album is just great from start to finish, but I think the solos are particularly awesome too.

This was originally just released digitally by the band. Totem Cat Records in 2013 issued three hundred copies on CD, but have just put this release on double LP (to pre-order!). I'm a bit of a fan of the label, as is Elder's Nick DiSalvo who was wearing one of the Spirit Caravan tribute design t-shirts when they played London! Though you can't see it in the picture.. ahahaha, but there you go anyway.

"Smoke weed, snort coke, get drunk, chase dope, fuck sluts, take drugs, hate everyone...

A life of scum..."

 


2010 - Stonehelm

1. Hyborian Tale (5:34)
2. Towers Of Black (5:26)
3. Vault Dweller 13 (7:15)
4. Zombie Apocalypse 420 (6:18)
5. Scumbag (5:25)
6. Acid Blur (Green Tab) (10:44)
7. Deep Space Doom (5:21)
8. So High We Hail (Lord In Green) (8:43)

BUY 2xLP HERE.
DOWNLOAD LINK HERE.

26/06/2015

Red Mess.





One of my distant relatives (from what I know probably 4/5 generations back) happens to play in a Doom Metal band. I don't even know this guy - he's still in the 'old country' as the yanks say. I just happened to be searching my pretty damn distinctive surname on Facebook low and behold.. dude happens to be in a pretty awesome Doom band. We have talked though and a Doom orientated family reunion is definitely on the cards. 

IT'S RUNS IN THE BLOOD!!!!

21/05/2015

Desertfest 2015.


For a number of reasons, I didn't really see many of the bands at Deserfest this year - but so it goes. My festival itinerary;

Friday: Red Fang, Orange Goblin, The Atomic Bitchwax, Floor

Saturday: Eyehategod, Brant Bjork, Black Pyramid

Sunday: Sleep, UFOmammut, Acid King
None of the merchandise seemed to take my fancy this year. But to be honest, if you see how few bands I actually ended up seeing, perhaps that makes perfect sense. Highlights wise? I'll just do a little video summary;

Orange Goblin - The Big Black.

Eyehategod - Dixie Whiskey.

Sleep - Dragonaut.


Have to mention it was absolutely beautiful seeing huge swaths of the crowd enjoying Eyehategod playing most of Dopesick, their seminal album in my mind.
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And just for the fuck of it, Electric Wizard @ The Roundhouse some weeks later.

10/02/2015

Human Nature.

I'll do a 'Best of 2014' feature when it's further into February. Unlikely though.  

Human Nature are from London and this is their first release. It sounds pretty rugged.. but it's far more subtle then it first suggests, dare I even say sophisticated? Droning, thunderous riffage. The drummer just abuses his symbols throughout - which I particularly enjoy. There are touches of the old favorites, but.. it doesn't play out like that. Sleep, Electric Wizard blah blah etc etc. What I hear is a theme of the torturous riff. If the guitarist dude of this band doesn't like EyeHateGod I'd be genuinely shocked. They even do an "FX" tune. It's alright.. not bad. I really would of preferred more riffs!



14/10/2014

Goya.

Yeah. You could listen to the new Electric Wizard... or you could listen to this.



See what I'm saying?

07/10/2014

Jupiterian.

Yeah, I've been slacking on here really. Deal with it. Anyway.. I've never been madly into doom death but every so often something catches my ear. It's just started to get cold where I live now so it seems appropriate. Heavy as fuck but that kinda of weird Allman Brothers twang to it.. like melodically. The brightness in the notes...? Does that even make sense? That is what I mean anyway. The music rolls with a lethargic churn with those bright melodies - all alongside harsh dm vox. The last track is my particular highlight.

You are able to download each track for free - I have checked with the band, that is cool. They've just got the $7 as... inspiration for anyone who wants to chuck in a dime.